He chatted to people about the bible and made them feel he was interesting.Ĭonsultant forensic psychiatrist, Dr Tim Rogers, said there are 20 traits of a psychopath - when each is given a score of up to two. He used his religious knowledge to "use and abuse" the kindness of others by "wiggling" his way into their lives. His psychopathic tendencies led Farrow to be superficially charming and he manipulated people using scams - often directed against the Church.
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He spoke of the significance of the year 2012 - believing it would mark the start of the second coming of Christ. He described himself as "prophetic" and said he was able to predict events before they happened.įarrow admitted he had originally planned to crucify Rev Suddards and saw his life in terms of "light and dark", "white and black", "good and evil". Farrow maintained the Church was very important to him, yet he was scornful of religious figures and wanted to kill the Archbishop of Canterbury. He was arrogant, opinionated, showed no respect for the views of others and was deemed "dangerous", "very dark" and "fraudulent".įear and loathing of religion ran through his whole life. He was found by psychiatrists to be a pathological liar, with a "grandiose sense of self-worth". He was expelled on his first day of school, experienced bullying, fighting, using weapons, setting fires and robbery.įarrow went on to claim he had been abused as a child by the priests at his boarding school. When Farrow was 10 he had set fire to a church altar and stood and watched as it burned. Following several assessments he was found to have Severe Dangerous Personality Disorder (SDPD). His mother said she had "understood there to be something very wrong" with him as a child. He had an unstable childhood and was described as an "uncontrollable child" who took pleasure in killing peoples' pets and shooting a swan with an air gun.
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Stephen Farrow, 48, travelled the country widely and frequently, carrying his belongings with him in a rucksack and sleeping rough. Bunny keeps you guessing.The man found guilty of murdering retired teacher Betty Yates in Worcestershire and a vicar in Gloucstershire was a psychopath who lived on the fringes of society. The thrill of the song is wrapped up in how it skirts any pressure to lay out its intentions, how it moves at its own whims. She may be channeling the want to be immaterial, the ability to evaporate like a wisp of smoke, but when she sings “I’m so nonphysical,” it comes with embodied longing, as if she’s aching for touch. She enters a new dimension in the chorus, switching from narrator to first-person, trading a Drake-like rhythmic delivery for her usual lithe, crystalline singing. Meanwhile, as if recreating the slipperiness of Bunny, Polachek darts through various images (blazing fireworks, a wet palette, a cut check), never resting long enough for you to grasp what’s next.
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It’s a characteristic display of PC Music alum Harle’s impulse to simultaneously send-up and pay homage to popular forms, with results too deliciously crisp to read as a joke. –Puja PatelĬasting off the gossamer avant-pop of 2019’s Pang, Polachek and producer Danny L Harle opt for a sound that is both commercial and weird: a deep, juicy bassline befitting of the Top 40, a “ yoo hoo” whistle, a sample taken from Harle’s giggling baby, even marimba plinks that conjure an island vacation with Kygo. It’s a one-act play of existential malaise and a sardonic anthem for those who can't help but seek out the spotlight. There’s some humor to it all forlorn, she recognizes that the world never stops turning, and that it’s fine to lie to ourselves if it helps pass the time. The song unfolds as a balancing act of vulnerability and expectation, of altruistic self-expression and the vanity of wanting to be seen, or even adored. “Working for the Knife" is her brooding, melancholic first major single back from this respite, and acts as an incisive warning about how much of our identity we give to our life’s greatest undertakings, and who we’re giving it up for. After a long and grueling world tour supporting her breakthrough album Be the Cowboy, the singer took time off in 2019, saying she needed a break from the “constant churn” of performance. Mitski would like to have a word on that.
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The saying goes that if you do what you love, you’ll never have to work a day in your life.